Wednesday, 4 April 2012
What We Can Learn From Facebook
That has only deepened over the last week as I received The Social Network on rental and have watched it four times. That includes 2 x film watch, 1 x with David Fincher commentary and 1 x with Aaron Sorkin & cast commentary.
Even after four watches, I am more drawn to and compelled by the film than ever - as well as the origin of Facebook's success story, filmmaking, the industry, business and people in general.
Ultimately it's about people: their personalities and desires; their talents and flaws; their failures and achievements. Everyone is the same under the surface but different and fascinating in their construct and actions.
As writers, the more we experience, observe and learn about people the more informed, realistic and powerful our writing becomes.
Ultimately what I feel the success of Facebook boils down to is that it successfully tapped into a fundamental human need. One that is ever present and that people consciously or unconsciously strive for daily:
To feel important - be important to others and to matter.
We all have the need to feel important in our everyday lives whether online or offline. If we don't get that sense of importance within relationships, friends, family, community, society, peers, school, college, work, profession, and within the world, then elements break down and life can get pretty miserable and leave us unfulfilled.
However, with Facebook you get the opportunity to feel important infinitely each day with every private message, comment, like, friend add, request, tag, share and so on. You get your own webpage to express yourself and status updates to inform people what you're up to, share your personality, interests and opinions. As well as being kept in the loop on what is going on everywhere else.
What Can We Learn As Writers?
At the core of human beings there is a need to feel important and be important to others in daily life. This may come in the form of love, affection, money, respect, status, acceptance, friendship, and so on.
A gaping void, weakness, over-abundance or loss in one area is usually what brings a story into life, as a person is striving for something they don't have and/or is affected by another's pursuit in doing so. Often the outcome will make them feel important within the scheme of things and/or to someone, or will fail miserably.
This matter of how a person goes about getting their perceived worth and importance in life is determined by their upbringing and past, which is also informed by their current environment and personality. This inherently - directly or indirectly - causes a lot of drama and conflict.
That is what we like.
Keeping this in mind will help us to understand our characters and make them human in our writing.
How do your characters get or fail to get their importance in life, how has that affected them and what are they willing to do to get what they want/need - that is the question(s).
It's never wise to write a script solely for a competition. The only thing on your mind being: The Reward & Winning Write a scrip...
I have recently found this great eHow video on script writing for children in both an animated and live-action context. It's an ess...
“ Most aspiring screenwriters simply don’t spend enough time choosing their concept. It’s by far the most common mistake I see in spec scr...
It's all well and good when you discover a passion for storytelling but at some point you have to face up to the reality of your amb...
The Script Lab has a helpful piece on the first ten pages of a screenplay for those wanting to hit those five crucial elements. Andrew S...