Fictional Skies

Naturally, I went into horror feature  Project Nightingale with high hopes. Even though it didn't work out to how I had initially wanted, I was enlightened by what I found. Going in I knew that this project would be the last one I would develop in my usual way, as a new standard had been calling in the way I deal with projects. Justice in the story concept was all I was looking for. However, the more I developed things the more ways I could see this going, and the original idea looked less sweet. So I had to reinvent what I had invented. But the thing did improve and I could feel that I was getting closer. It was maturing and had come a long way but something was fundamentally wrong. I kicked its behind and wouldn't let up until I could identify what was bothering me about it. Then one day, it all became clear. I believe I have now found the story experience, what the project is, and how it fits into the marketplace. It could be made by a small crew and market...

It can be tough finding the right medium to tell a story in especially when you discover a versatile concept that could work or crossover into either television, film, web, literature, stage, radio, video-game or graphic novel. How do you know what to write it as? The short answer is: you don't. Unless you're specifically: a playwright, scriptwriter, or novelist. However, if you've yet to figure that out or commit to a set course, or want to write in more than one discipline, then it's not as simple as knowing what you don't want to write. Everything is possible. You can chat to people about it or consult writing books. You can do some research consuming a mass of product looking at how others have done things with the story concept they had. Ultimately, you just have to follow your instincts and see where it takes you. The goal is to do the story concept justice - to attract a producer/company and an audience. Naturally they want their money's wo...

Three months ago I began work on my second project for the year: an urban horror series.  The first:  Project Spacebound began over four months ago and is being written at the same time.  From Half-Idea to Series  The big bang moment for this came when a half-idea met its title-to-be and fused together to become something with potential. The combination of those two intriguing elements told me that this was something to pursue. Its title was a word I thought I had initially made up, as it just appeared in my head and got me hooked. It conjured up emotion, atmosphere, genre and images. Later on, I discovered it was a real word, however, its slang meaning better suited the show and helped define a major element. The 'half-idea' was a notion and genre twist on a recent news story at the time. A 'what if...' scenario resulted and one that would lead into a high-concept horror sub-genre story. From then, I knew I had to construct a new and compelling ...

Two and a half months in and things are progressing nicely. Project Spacebound has a first draft and soon-to-be-announced Project Nightingale has an outline for its pilot episode. I found myself working on the first draft of Project Spacebound for three days during the week. Then at weekends developing and doing the prep work for Project Nightingale. I prefer prep work at the weekends because it's more relaxed and there's more time to give. Plus the prep work should be developing quicker than the script draft. So it worked out nicely. Adapting to Change  As previously mentioned , I have three projects set aside for the year and two of those have already begun. But I've decided not to bring the third one into the mix just yet. Again, like discovering the stacking projects method at the last moment, this decision was much the same. I'm comfortable with two projects going at once and really enjoy it. But feel I need to gain experience with two projects and see...